Sara Tavares played at the Berklee Performance Center Saturday night under the auspices of World Music/Crash Arts closing out the world music section of their Fall Season. This was our second trip in a week to the BPC where an enthralled audience sang along in Portuguese. (The previous trip was for Milton Nascimento from Brazil.) Tavares is of Cape Verdean descent but was born and raised in Lisbon. On stage, Her ukulele/electric guitar player and percussionist to stage right hailed from Cape Verde. The drummer and bass player to stage left were from Portugal. Sara Tavares, naturally, stood between them. The implicit metaphor did begin to break down when we learned that she found her bass player in a small Lisbon club singing Cape Verdean songs.
The program reports that the “young singer and guitarist has drawn widespread praise for her worldly songs spiced with Angolan and Portuguese slang, Cape Verdean Crioulo and English, and layered with Afro-beat, reggae, jazz and infectious Cape Verdean rhythms. ” Rhythmically, many of her tunes were built on complex exchanges between the drummer and percussionist. At times, the two had such intense concentration on their faces that when they broke into a straight chorus, the relief was palpable. Even at the most intense however, Sara Tavares danced easily through it all. She sang, played guitar and danced around, making it look easy. Ahead of the beat, behind the beat, right on top of the beat, rhythmically, she was effortlessly just where she wanted to be. Live, the band have a punchier sound than they produce on the album, Balance, which we rushed home to buy after the show. The playful side of Tavares does come through even more strongly in the studio. I’m looking forward to her next trip through Boston. I’ll be there rocking out and smiling.
